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A brief W. R. Robinson biography A W. R. Robinson bibliographyA W. R. Robinson lexicon Quotes from W. R. Robinson"'Like Light': The Movie Theory of W. R. Robinson" an essay by David Lavery |
| Abstraction | a factor that is operative in transcendence, in dying to be reborn again |
| Act, an | what is done in a unit of passion |
| Action, an | the process of what is done in a unit of passion |
| Actuality | an action realized, brought off |
| Aperspectivity | without depth, flat |
| Art | a solution to the problem of unity; is what it does and can do; its history the evidence and what it has done; what it can do, its potential, can only be known by working with it; it begets art |
| Center, the | the source that is everywhere and nowhere in a field of force from which the energy of the field of force flows; or the total forces in a field of force coordinated in a single act |
| Change | any alteration that makes a difference; there are three kinds: a) of place; b) by cause and effect; and c) creative |
| Character | a person's mark; the public identity that establishes him as a known and predictable figure |
| Communication | to make common; a mutual exchange of values: images communicate images |
| Composition | to unite by linking together in place; spatial organization.. |
| Concrete | growing together. |
| Concrete thinking | a discipline in which the reflective powers concentrate on the individual rather than generalizations |
| Concretion | growing together, coalescing |
| Conflict | a complication or friction in the plot; there are three kinds: a) of man with the physical conditions of life; b) of man with himself--his head and his heart, his conscience with his passion; c) of man with the medium of his creative effort |
| Conjunctive powers | the forces that move toward unity |
| Conscience | to know together with; the science of relations |
| Consecution | to be united by linking sequentially; "temporal" organization |
| Convergence | inclined to come together; the pre-condition of any plot and the major direction of the action of any plot up to the climax |
| Correspondence | an eye-to-eye alignment; a one-on-one relation |
| Creation | a radical change in form; the supreme instance of growth |
| Cut, a | the space in between movie images (since it is dark, it raises the question of whether the dark and death should be feared, of what happens in the dark; it is the key to what is carried across from one image to another; whereas with words, inventions of man's reflective powers, artifice is carried across; with images. entities within the visible creation, it is creative power that carries across the cut) |
| Disjunctive powers | the forces that move toward disunity or differentiation |
| Emotion | the faculty of reacting to threatening or friendly forces |
| Energy transformation | an exchange of value that has qualitative consequences |
| Evaluation | getting the value out of; building upon the strength of |
| Evolution | in contrast to revolution, which is a 180 degree reversal, it is progression by refinement in the relations of the vital powers |
| Exchange | a transfer of value or energy. as when electrical energy turns into light |
| Feeling | the faculty of sensing the ebb and flow in the interaction of the vital powers |
| Form | the key to the perception of concrete individuals |
| Getting right with the light | aligning man's vital powers with their source and the medium of human life |
| Growth | an increase in the total energy of a system and therefore of its power to act (the opposite of entropy) |
| Ideographics | the method for describing the peculiar or unique, the concrete individual |
| Image | a sensory, not a mental image; a visual event, specifically a birth |
| Imagination | the image inventing capabilities whereby the potentialities of an image are given birth in a new image |
| Individuation | the objective of the growth process |
| Judgment | opposite of evaluation; assessing the worth of an individual in relation to a general principle or universal standard, thus emphasizing deficiency or looking for imperfections and weakness |
| Juxtaposition | the method of composition and consecution (it means "to put together") |
| Light | the source and model of unity, simultaneously particle, wave, and quantum; an excess or overflow that breaks out in energy exchanges; has zero mass, no electrical charge, and an infinite life time; is the offspring of interactions |
| Media | the surrounding, enveloping, pervading conductor, the source of the power for and means of change, not a vehicle for carrying a message or an intervening substance or device |
| Method | a disciplined, systematic way of going after, pursuing, or seeking out |
| Moral | pertaining to the behavior of things or to systems of action |
| Narration | the study and rendering of change, or of relating to and relating change; simultaneously an art form and a science |
| New Story, The | a narrative in which the new frees itself from the old |
| Object | throws itself in the way of or forward; an active, alive entity |
| Old Story, The | a narrative in which the old defeats the new, keeping it from breaking on through in a completely successful creation |
| One-on-one | an interaction between concrete individuals |
| Organic | a functional integration that includes all of the powers and all of the forms of growth |
| Particularization | the discipline devoted to creating concrete individuals |
| Passion | the power of action |
| Plasticity | renewability, not just moldability; readiness to undergo qualitative alteration |
| Plot | the structure of an action (as opposed to just changing places); there are two kinds: a) that which moves toward disunity or disintegration. and b) that which moves toward unity or integration |
| Point of view | perception limited to a relation between one facet of perceiver and perceived |
| Pragmatics | knowledge of value, of know-how; ability to work with, to make something of or actualize |
| Process | a systematic activity that is capable of going forward |
| Realization | method by which the potential is made into an actuality |
| Relativity | recognizing that relations are all that is "real"; that there is nothing out there but interactions |
| Space-in-between | where relations occur, interactions transpire |
| Technology | extensions of man's physical powers that amplify and accelerate his capacity for action, his mobility; all art is technology |
| Transaction | an exchange in which the powers of action are transferred or communicated from one individual to another |
| Trinary system | opposite of binary structure; means by which change occurs, of the dynamic process; its three aspects are a) the senses: the powers that conduct exchanges with the creation and the body of the system; b) the intellect: the powers that analyze or polarize and section the energy of the system; c) the imagination: the powers that integrate and coordinate the system as an on-going enterprise |
| Unity | a juxtaposition of powers that allows and enables them to work together in a common enterprise |
| Value | strength; appears only in concrete instances; a field of energy at work, or of work in progress in which potential is being actualized |
| Violence | an eruption of vital powers, as when the embryo breaks the egg shell |
| Vital powers | all the activities life is capable of |
| White out, the | complete infusion of the eye and an action with light |