Bibliography

 

Arendt, Hannah. The Human Condition. Chicago: University of Chicago Press, 1958.

___."Man's Conquest of Space." American Scholar 32 (1963): 527-40.

___. Thinking. The Life of the Mind, Vol. I. NY: Harcourt, Brace and Jovanovich, 1978.

___. Willing. The Life of the Mind, Vol. II. NY: Harcourt, Brace and Jovanovich, 1978.

Artaud, Antonin. The Peyote Dance. Trans. Helen Weaver. NY: Farrar, Straus, and Giroux, 1976.

Auden, W.H. Collected Poems. Ed. Edward Mendelson. NY: Random House, 1976.

Bachelard, Gaston. The Poetics of Space. Trans. Maria Jolas. Boston: Beacon Press, 1958.

Bakhtin, Mikhail. Rabelais and His World. Trans. Helene Iswolsky. Bloomington: Indiana U P, 1974.

Balázs, Bela. Theory of Film: Character and Growth of a New Art. 1952; rpt. New York: Dover, 1970.

Bamford, Christopher. "Nature Word, the Hermetic Tradition, and Today." "Foreward" to Nature Word by R.A. Schwaller de Lubicz. Trans. Deborah Lawlor. 1952; rpt. West Stockbridge, MA: Lindisfarne Press, 1982: 11-46.

Barfield, Owen. "The Evolution Complex." Towards 2.x(1982): xxxx.

___. “The Harp and the Camera.” The Rediscovery of Meaning 65-78.

___. History, Guilt and Habit. Middleton, CT: Wesleyan U P, 1979.

___. Poetic Diction: A Study in Meaning. 2nd Ed. New York: McGraw‑Hill, 1964.

___. The Rediscovery of Meaning. Middleton, CT: Wesleyan U P, 1977.

___. Romanticism Comes of Age, 2nd Ed. Middleton, CT: Wesleyan U P, 1963.

___. Saving the Appearances: A Study in Idolatry. New York: Harcourt, Brace Jovanovich, 1957.

___. Unancestral Voice. Middletown, CT: Wesleyan U P, 1965.

___. Worlds Apart: A Dialogue of the Sixties. Middletown, CN: Wesleyan U P, 1977.

Barrett, William. The Illusion of Technique. Garden City: Doubleday, 1976.

___. What is Existentialism? New York: Grove Press, 1964.

Barthes, Roland. "The Death of the Author.” Image, Music, Text. Trans. Stephen Heath. New York: Hill and Wang, 1977. 142‑48.

___. Mythologies. Trans. Annette Levers. New York: Hill and Wang, 1957.

___. The Pleasure of the Text. Trans. Richard Miller. New York: Hill and Wang, 1975.

Bateson, Gregory. Mind and Nature: A Necessary Unity. NY: E.P. Dutton, 1979.

___. Steps to an Ecology of Mind. New York: Ballantine, 1972.

Baudrillard, Jean. America. Trans. Chris Turner. New York: Verso, 1988.

Baudrillard, Jean. 1983. Simulations. Trans. Paul Foss, Paul Patton, and Philip Beitchman. New York: Semiotext(e).

Bazin, Andre. “Cabiria: The Voyage to the End of Neorealism.” What Is Cinema? Vol. II. Edited and Trans. Hugh Gray. Berkeley: University of California Press, 1971. 83-92.

___. “The Myth of Total Cinema.” What Is Cinema? Vol. I. Edited and Trans. Hugh Gray. Berkeley: University of California Press, 1971. 17-22.

Becker, Ernest. The Denial of Death. New York: Free Press, 1973.

Benjamin, Walter. Illuminations. Trans. Harry Zohn. New York: Shocken Books, 1978.

Berg, J.H. van den. The Changing Nature of Man. Trans. H.F. Croes. NY: Dell, 1961.

___. Things: Four Metabletic Reflections. Pittsburgh: Duquesne U P, 1970.

Berger, John. About Looking. New York: Pantheon, 1980.

___. The Sense of Sight. Ed. Lloyd Spencer. New York: Pantheon, 1985.

Berry, Wendell. Farming: A Handbook. NY: Harcourt, Brace Jovanovich, 1970.

___. The Unsettling of America: Culture and Agriculture. NY: Avon Books, 1977.

Blake, William. Blake: Complete Writings. Ed. Geoffrey Keynes. London: Oxford U P, 1966.

___. Poetry and Designs. A Norton Critical Edition. Ed. Mary Lynn Johnson and John E. Grant. New York: W. W. Norton, 1979.

Bleibtreu, John N. The Parable of the Beast. New York: Collier, 1968.

Bloom, Harold. The Anxiety of Influence. New York: Oxford U P, 1973.

Bly, Robert, ed. News of the Universe: Poems of Twofold Consciousness. San Francisco: Sierra Club Books, 1980.

Borges, Jorge Luis. Borges, A Reader: A Selection from Jorge Luis Borges. Ed. Emir Rodriquez Monegal and Alastair Reid. New York: E. P. Dutton, 1981.

___. “Everything and Nothing.” Personal Anthology. Ed. Anthony Kerrigan. New York: Grove Press, 1967:115-17.

___. "Funes the Memorious." A Personal Anthology. Ed. Anthony Kerrigan. New York: Grove Press, 1967: 35-43.

___. “The Library of Babel.” Ficciones. Ed. Anthony Kerrigan. NY: Grove Press, 1962. 79-88.

___. Other Inquisitions, 1937-1952. Trans. Ruth L. C. Simms. New York: Simon and Schuster, 1965.

___ A Personal Anthology. Ed. Anthony Kerrigan. NY: Grove Press, 1977.

___ and Margarita Guerrero. The Book of Imaginary Beings. Trans. Norman Thomas Giovanni and the Author. New York: E. P. Dutton, 1979.

Brockman, John, ed. About Bateson. New York: E. P. Dutton, 1977.

Broughton, James. Seeing the Light. San Francisco: City Lights, 1977.

Brown, Norman O. Life Against Death: The Psychoanalytical Meaning of History. NY: Vintage, 1959.

___. Love's Body. NY: Vintage, 1966.

Buber, Martin. Tales of the Hassidim: The Early Masters. New York: Shocken Books, 1947.

___. The Ten Rungs: Hasidic Sayings. New York: Schocken Books, 1947: 38.

Burnshaw, Stanley. The Seamless Webb: Language-Thinking, Creature-Knowledge, Art-Experience. New York: George Braziller, 1970.

Cage, John. Silence: Lectures and Writings. Cambridge: MIT Press, 1961.

Calvino, Italo. Cosmicomics. Trans. William Weaver. NY: Collier Books, 1968.

___. Invisible Cities. Trans. William Weaver. NY: Harcourt, Brace Jovanovich, 1974.

___. T-zero. Trans. William Weaver. NY: Collier Books, 1969.

Campbell, Joseph. Creative Mythology: The Masks of God, Vol. IV. NY: Viking Press, 1968.

___. The Hero with a Thousand Faces. Bolingen Series XVII. Princeton: Princeton U P, 1949.

___. The Mythic Image. Bolingen Series C. Princeton: Princeton U P, 1974.

___. Primitive Mythology: The Masks of God, Vol. I. NY: Viking Press, 1959.

___. Occidental Mythology: The Masks of God, Vol. III. NY: Viking Press, 1964.

___. Oriental Mythology: The Masks of God, Vol. II. NY: Viking Press, 1962.

Canetti, Elias. Crowds and Power. Trans. Carol Stewart. NY: Continuum, 1960.

___. The Human Province. Trans. Joachim Neugroschel. NY: Farrar, Straus, Giroux, 1978.

Cavell, Stanley. The World Viewed: Reflections on the Ontology of Film. NY: Viking Press, 1971.

Chang Chung Yuan. Creativity and Taoism. New York: Harper and Row, 1963.

Cioran, E. M. Drawn and Quartered. Trans. Richard Howard. NY: Seaver Books, 1983.

___. The Fall into Time. Trans. Richard Howard. Chicago: Quadrangle Books, 1970.

___. The New Gods. Trans. Richard Howard. Chicago: Quadrangle Books, 1974.

___. On the Heights of Despair. Trans. Ilinca Zarifopal-Johnston. Chicago: University of Chicago Press, 1992.

___. A Short History of Decay. Trans. Richard Howard. NY: Arcade Publishing, 1949.

Coleridge, Samuel Taylor. The Portable Coleridge. Ed. I. A. Richards. New York: Viking Press, 1950.

Cott, Jonathan. Stockhausen: Conversations with the Composer. New York: Simon and Schuster, 1973.

Crane, Hart. The Complete Poems and Selected Letters and Prose of Hart Crane. Ed. Brom Weber. Garden City: Doubleday, 1966.

___. The Letters of Hart Crane: 1916-1932. Ed. Brom Weber. Berkeley: University of California Press, 1952.

Culler, Jonathan. Ferdinand de Saussure. New York: Penguin, 1976.

___. The Structuralist Poetics: Structuralism, Linguistics, and Study of Literature. Ithaca: Cornell U P, 1975.

cummings, e. e. Complete Poems, 1904-1962. New York: W. W. Norton, 1991.

Dawkins, Richard. The Selfish Gene. NY: Oxford U P, 1976.

Dennett, Daniel. “Who am I?” In D. R. Hofstadter and D. Dennett (Eds.), The Mind's I: Fantasies and Reflections of Self And Soul. Ed. New York: Basic Books, 1981: 217-31.

Dewey, John. Art as Experience. New York, Minton, Balch & Company, 1934

Dillard, Annie. Pilgrim at Tinker Creek. New York: Bantam, 1974.

Dostoyevsky, Fyodor. Notes from Underground and The Grand Inquisitor. Trans. Ralph E. Matlaw. NY: Dutton, 1960.

Eco, Umberto. Travels in Hyper Reality. Trans. William Weaver. New York: Harcourt, Brace Jovanovich. 1986.

Edberg, Rolf. At the Foot of the Tree: A Wanderer's Musings Before the Fall. Trans. David Mel Paul and Margareta Paul. University, AL: University of Alabama Press. 1971.

___. On the Shred of a Cloud: Notes in a Travel Book. Trans. Sven Ahman. University, AL: University of Alabama Press, 1966.

Ehrenfeld, David. The Arrogance of Humanism. New York: Oxford, 1981.

___. Beginning Again: People and Nature in the New Millenium. New York: Oxford, 1993.

Eiseley, Loren. All the Strange Hours: The Excavation of a Life. New York: Scribner's, 1975.

___. Darwin's Century: Evolution and the Men Who Discovered It. Garden City: Anchor Books, 1958.

___. Notes of an Alchemist. New York: Scribner's, 1972.

___. The Firmament of Time. New York: Atheneum, 1960.

___. The Immense Journey. New York: Vintage, 1957.

___. The Invisible Pyramid. New York: Scribner's, 1970.

___. The Man Who Saw Through Time. New York: Scribner's 1973.

___. The Night Country. New York: Scribner's, 1971.

___. The Star Thrower. New York: Times Books, 1978.

___. The Unexpected Universe. New York: Harcourt, Brace, Jovanovich, 1969.

Eliot, T. S. Four Quartets. NY: Harcourt, Brace and World, 1943.

Ellman, Richard. Yeats: The Man and the Masks. New York: Dutton, 1948.

Emerson, Ralph Waldo. “The Poet.” Selections from Ralph Waldo Emerson. Ed. Stephen C. Whicher. Boston: Houghton-Mifflin, 1957. xxx-xxxx.

Fechner, Gustav. “The Comparative Anatomy of Angels: A Sketch by Dr. Mises: 1826.” Trans. Hildegard Corbet and Marilyn E. Marshall. Journal of the History of the Behavioral Sciences 5 (1969): 135-51.

Fellini, Federico. Comment on Film. Ed. Giovannia Grazzini. Trans. Joseph Henry. Freshno: The Press of California State University, 1988.

___. Fellini's Satyricon. Ed. Dario Zanelli. Trans. Eugene Walter and John Matthews. NY: Ballantine, 1970.

___. Fellini on Fellini. Ed Christian Strich. NY: Delacourte, 1976.

___. “Interview.” Playboy February 1966: 55-66.

___, with Tonio Guerra. Amarcord: The Story of a Town. Trans. Nina Rootes. NY: Berkley Windhover Books, 1974.

Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. NY: Vintage, 1970.

___. "What is an Author?" The Foucault Reader. Ed. Paul Rabinow. New York: Pantheon, 1984. 101‑20.

Frost, Robert. The Poetry of Robert Frost: The Collected Poems, Complete and Unabridged. Ed. Edward Connery Latham. NY: Holt, Rinehart and Winston, 1975.

Gass, William H. ''The Death of the Author." Habitations of the Word: Essays. New York: Simon and Schuster, 1985. 265‑88.

Goethe, Johann Wolfgang von. The Eternal Feminine: Selected Poems of Goethe. Ed. Frederick Unger. New York: Frederick Ungar, 1980.

___. Selected Poems. Ed. Christopher Middleton. Boston: Suhrkamp/Insel Publishers, 1983.

Gregory, Andre and Wallace Shawn. My Dinner with Andre. New York: Grove Press, 1981.

Griffin, Susan. Woman and Nature: The Roaring Inside Her. NY: Harper and Row, 1978.

Gruber, Howard E. "’And the Bush was Not Consumed’: The Evolving Systems Approach to Creativity.” In Sohan and Celia Modgil, Towards a Theory of Psychological Development Windsor, England: NFER, 1980: 269-99.

___. “Breakaway Minds” (interview with Howard Gardner). Psychology Today July 1981: 68-73.

___. “Cognitive Psychology, Scientific Creativity, and the Case Study Method.” In M.D. Graek, R.S. Cohen, and G. Cimino (Eds.), On Scientific Creativity Amsterdam: D. Reidel, 1980: 295-322.

___. “Coping With Multiplicity and Ambiguity of Meaning in Works of Art.” Metaphor and Symbolic Activity 3 (1988): 183-89.

___. “Creative Reactions to Life Under the Nuclear Sword.” International Journal of Mental Health 15 (1986): 314-26.

___. “Creativity and Human Survival.” In Doris B. Wallace and Howard E. Gruber. Creative People at Work. New York: Oxford, 1989: 278-87.

___. "Darwin's 'Tree of Nature' and Other Images of Wide Scope.” In Judith Wechsler, On Aesthetics in Nature . Cambridge: MIT Press, 1978: 121-40.

___. “The Emergence of a Sense of Purpose: A Cognitive Case Study of Charles Darwin.” In M. Commons (Ed.), Beyond Formal Operations New York: Praeger, 1983: 3-27.

___. “Ensembles of Metaphor in Creative Scientific Thinking.” Cahiers de la Fondation Archives Jean Piaget (1987): 235-54.

___. “The Evolving Systems Approach to Creative Work.” In Doris B. Wallace and Howard E. Gruber, eds. Creative People at Work New York: Oxford, 1989: 3-24).

___. “Foreword.” In Nora John-Steiner, Notebooks of the Mind: Explorations of Thinking (ix-xii). New York: Harper and Row, 1985: ix-xii.

___. “From Epistemic Subject to Unique Creative Person at Work.” Archives de Psychologie 54 (1985): 167-85.

___. “Giftedness and Moral Responsibility: Creative Thinking and Human Survival.” In F.D. Horowitz and M. O'Brien (eds.) The Gifted and the Talented: Developmental Perspectives Washington: American Psychological Association, 1985: 301-330.

___. “History and Creative Work: From the Most Ordinary to the Most Exalted.” Journal of the History of the Behavioral Sciences 19 (1983): 4-15.

___. “On the Hypothesized Relation Between Giftedness and Creativity.” New Directions for Child Development 17 (1982): 7-30.

___. “On the Relation Between 'Aha' Experiences' and the Construction of Ideas.” History of Science 19 (1981): 41-59.

___. “Piaget's Mission.” Social Research 49 (1982): 239-64.

___. “Which Way is Up? A Developmental Question.” In R. A. Milnes and K.S. Kitchener (Eds.), Adult Cognitive Development New York: Praeger, 1986: 112-33.

___. Interview (with Jean Ross) in "Gruber, Howard E[rnest] 1922- . Contemporary Authors 119, 128-31.

___ and I.A. Sehl. Transcending Relativism: Going Beyond the Information I am Given. In W. Callebaut, S.E. Cozzens, B. P. Lecuyer, A. Rip, and J.B. van Bendegem (Eds.), George Sarton Centennial Ghent, Belgium: Communication and Cognition, 1984: 57-60.

___ and J. J. Voneche, eds. The Essential Piaget. New York: Basic Books, 1977.

___ and S.N. Davis. Inching Our Way Up Mount Olympus: The Evolving Systems Approach to Creative Thinking. In R.J. Sternberg (Ed.), The Nature of Creativity New York: Cambridge U P.Guiart, Jules. "La Vie revelee par le cinematographe." Revue scientifque (1914): 700s, 1988: 243-69.

___, with P.H. Barrett. Darwin on Man: A Psychological Study of Scientific Creativity. Chicago: University of Chicago Press, 1981.

Gusdorf, Georges. “The Conditions and Limits of Auotbiography.” in Olney, Autobiography: 28-48.

Guss, David M., ed. The Language of the Birds: Tales, Texts, and Poems of Interspecies ommunication. San Francisco: North Point Press, 1985.

Hall, Edward T. The Dance of Life: The Other Dimension of Time. New York: Doubleday, 1984.

___. The Hidden Dimension. Garden City: Doubleday, 1966.

Hampden-Turner, Charles. Maps of the Mind: Charts and Concepts of the Mind and Its Labyrinths. NY: Macmillan, 1981.

Hanna, Thomas. Bodies in Revolt: A Primer in Somatic Thinking. NY: Dell, 1970.

Hartman, Geoffrey. The Unmediated Vision: An Interpretation of Wordsworth, Hopkins, Rilke, and Valéry. New York: Harcourt, Brace, and World, 1966.

Heidegger, Martin. Basic Writings. Ed. D. F. Krell. New York: Harper and Row, 1977.

___. An Introduction to Metaphysics. Trans. Ralph Manheim. Garden City: Doubleday, 1959.

___. Discourse on Thinking. Trans. John M. Anderson and Hans Freund. NY: Harper and Row, 1973.

___. The End of Philosophy. Trans. Joan Stambaugh. NY: Harper and Row, 1973.

___. Introduction to Metaphysics. Trans. Ralph Mannheim. Garden City: Anchor Books, 1959.

___. On the Way to Language. Trans. Peter D. Hertz. NY: Harper and Row, 1971.

___. Poetry, Language, Thought. Trans. Albert Hofstadter. New York: Harper and Row, 1971.

___. The Question Concerning Technology. Trans. William Lovitt. NY: Harper and Row, 1977.

___. What is Called Thinking? Trans. J. Glenn Gray. NY: Harper and Row, 1968.

Heller, Erich. The Artist’s Journey into the Interior and Other Essays. New York: Harcourt, Brace, Jovanovich. 1965.

___. The Disinherited Mind: Essays in Modern German Literature and Thought. New York: Harcourt, Brace and Jovanovich, 1975.

Heppenheimer, T.A. Toward Distant Suns. Harrisburg: Stackpole Books, 1979.

Herman, David. “Federico Fellini.” American Imago  26(1969): 251-68.

Hesse, Hermann. Pictor's Metamorphosis.

___. Siddhartha. Trans. Hilda Rosner. New York: New Directions, 1951.

Highwater, Jamake. The Primal Mind: Vision and Reality in Indian America. NY: Harper and Row, 1981.

Hillman, James. The Dream and the Underworld. NY: Harper and Row, 1979.

___. Healing Fiction. Barrytown, NY: Station Hill Press, 1983.

___, with Laura Pozzo. Inter Views: Conversations with Laura Pozzo on Psychotherapy, Biography, Love, Soul, Dreams, Work, Imagination, and the State of the Culture. NY: Harper and Row, 1983.

___. The Myth of Analysis: Three Essays in Archetypal Psychology. NY: Harper and Row, 1972.

___. “Psychology: Monotheistic or Polytheistic?” The New Polytheism. Ed. David L. Miller. Dallas: Spring Publications, 1981: 109-42.

___, ed. The Puer Papers. Dallas: Spring Publications, 1979.

___. Re-Visioning Psychology. NY: Harper and Row, 1975.

___. "Silver and the White Earth (Part One)." Spring 1980:

___. The Soul’s Code: In Search of Character and Calling. New York: Random House, 1996.

Hirsch, Elizabeth. "Martin Heidegger and the East." Philosophy East and West. 20(197).

Hofstadter, Douglas R. Gödel, Escher, Bach: An Eternal Golden Braid. NY: Basic Books, 1980.

Holderlin, Friedrich and Edward Morike. Selected Poems. Ed. Christopher Middleton. Chicago: University of Chicago Press, 1972.

Horrex, Susan. "Blaise Cendrars and the Aesthetic of Simultaneity." Dada-Surrealism, No. 6(1976): 46-58.

House, John. Monet: Nature into Art. New Haven: Yale U P, 1986.

Howell, James. Dodonas Grove, or the Vocall Forrest. : The Second Edition more exact and perfect than the former, with an Addition of two other Tracts: viz. Parables, reflecting upon the Times. London: Thomas Badger, 1640.

Hubbard, Barbara. “A Scenario for the Future.” Worlds Beyond. Ed. Larry Geis and Fabrice Florin. Berkeley, CA: And/Or, 1978: 281-94.

Huddy, John. “Lina Wertmuller.” Miami Herald 16 August 1976: H1, 6.

Hughes, Eileen Lanouette. On the Set of Fellini-Satyricon: A Behind the Scenes Diary. NY: Morrow, 1971.

Hulme, T. E. "Bergson's Theory of Art." Critical Theory Since Plato. Ed. Hazard Adams. New York: Harcourt, Brace, Jovanovich, 1971: 774-82.

Huxley, Alduous. The Doors of Perception. New York: Harper and Row, 1954.

Ignatieff, Michael. 1988. "Modern Dying." The New Republic, Dec.26: 28-33.

James, Henry. “A Beast in the Jungle.”

James, William. "Bergson and His Critique of Intellectualism." The Writings of William James: A Comprehensive Edition. Ed. John J. McDermott. Chicago: University of Chicago Press, 1977: 561-81.

Jameson, Frederic. ”Postmodernism, or the Cultural Logic of Late Capitalism.” New Left Review (July August 1984): 53-94.

Jastrow, Robert. The Enchanted Loom: Mind in the Universe. NY: Simon and Schuster, 1981.

Jaynes, Julian. The Origin of Consciousness in the Breakdown of the Bicameral Mind. Boston: Houghtin-Mifflin, 1976.

Jeffers, Robinson. The Selected Poetry of Robinson Jeffers. Ed. Tim Hunt. Stanford: Stanford UP, 2001.

Jiminez, Juan Ramon. Three Hundred Poems, 1903-1953. Trans. Eloise Roach. Austin: University of Texas Press, 1970.

[London : Printed] By: T[homas]: B[adger]: for H: Mosley at the Princes Armes in St Paules Church-yard, 1640.

Jodorowsky, Alejandro. “Interview.” Penthouse June 1973: 60-64.

Jonas, Hans. “The Nobility of Sight.” Spicker: 312-33

Joyce, James. Finnegans Wake. NY: Viking Press, 1939.

Jung, C.G. Alchemical Studies. Collected Works of C.G. Jung, Vol. 13. Trans R.F.C. Hull. Princeton: Princeton U P, 1967.

___. "Basic Postulates of Analytical Psychology." The Structure and Dynamism of the Psyche. Collected Works of C.G. Jung, Vol. VIII, Bolingen

___. Memories, Dreams, Reflections. Ed. Aniela Jaffe. Trans. Richard and Clara Winston. New York: Vintage Books, 1965.

___. Psychological Reflections: A New Anthology of His Writings 1905-1961. Ed. Jolande Jacobi and R.F.C. Hull. Bollingen XXI. Princeton: Princeton U P, 1970.

Kael, Pauline. “Hope and Glory.” New Yorker 5 October 1987: xxx.

Kast, Pierre. “Federico Fellini.” Interviews with Film Directors. Ed. Andrew Sarris. New York: Avon, 1969: 175-92.

Katz, Ephraim. The Film Encyclopedia. New York: G.P. Putnam's, 1979.

Kazantzakis, Nikos. The Odyssey: A Modern Sequel. Trans. Kimon Friar. New York: Touchstone, 1958.

___. The Saviors of God: Spiritual Exercises. Trans. Kimon Friar. New York: Simon and Schuster, 1960.

Kyser, Wolfgang. The Grotesque in Art and Literature. Bloomington: Indiana U P, 1963.

Keats, John. Selected Poetry and Letters. Ed. Richard Harter Fogle. NY: HRW, 1969.

Keen, Sam. "The Lost Voices of the Gods: Reflections on the Dawn of Consciousness" (An Interview with Julian Jaynes). Psychology Today, November 1977: 58‑64, 66‑67, 138‑42, 144.

Kelly, Kevin, Adam Heilbrun, and Barbara Stacks. "Virtual Reality: An Inteview with Jaron Lanier." Whole Earth Review, Fall 1989: 108-19.

Kermode, Frank. The Sense of an Ending: Studies in the Theory of . New York: Oxford U P, 1967.

Kern, Stephen. The Culture of Space and Time: 1880-1918. Cambridge: Harvard U P, 1983.

Kezich, Tullio. “The Long Interview.” Juliet of the Spirits. Trans. Howard Greenfield. NY: Ballantine Books, 1966: 17-64.

Kierkegaard, Sören. Fear and Trembling and The Sickness Unto Death. Trans. Walter Lowrie. Princeton: Princeton U P, 1954.

___. A Kierkegaard Anthology. Ed. Robert Bretall. NY: Modern Library, 1948.

Kingston, Maxine Hong. China Men. New York: Knopf, 1980.

___. Woman Warrior: Memoirs of a Girlhood Among Ghosts. New York: Knopf, 1976.

Klee, Paul. The Diaries of Paul Klee: 1898-1918. Ed. Felix Klee. Berkeley: University of California Press, 1964. On Modern Art. London: Faber and Faber, n.d.

___. The Nature of Nature: The Notebooks of Paul Klee, Vol. 2. Ed. Jurg Spiller. New York: George Wittenborn, 1973.

___. The Thinking Eye: The Notebooks of Paul Klee, Vol. 1. Ed. Jurg Spiller. New York: George Wittenborn, 1964.

Kohak, Erazim. The Embers and the Stars: A Philosophical Inquiry into the Moral Sense of Nature. Chicago: University of Chicago Press, 1984.

Kowinski, William S. The Malling of America: An Inside Look at the Great Consumer Paradise. New York: Morrow, 1985.

Kracauer, Sigfried. Theory of Film: The Redemption of Physical Reality. New York: Oxford U P, 1960.

Kugelmann, Robert. The Windows of the Soul: Psychological Physiology of the Human Eye and Primary Glaucoma. Studies in Jungian Thought. Lewisburg, PA: Bucknell U P, 1983.

Kubler-Ross.

Lacarriere, Jacques. The Gnostics. Trans. Nina Rootes. NY: E.P. Dutton, 1973.

Laing, R. D. The Politics of Experience. NY: Ballantine, 1967.

Lanier, Jeron.

Lao-tzu.

Larousse Encyclopedia of Mythology. New York: Hamlyn, 1977.

Lasch, Christopher. The Culture of Narcissism: American Life in an Age of Diminishing Expectations. NY: Warner Books, 1979.

___. The Minimal Self: Psychic Survival in Troubled Times. NY: W.W. Norton, 1984.

Laurtemont, Comte de. Maldoror. Trans. Guy Wernham. New York: W. W. Norton, 1965.

Lavery, David. Audition of History and the Vocation of Man: Reflections on Extinction and Destiny.” Michigan Quarterly Review 24 (1985): 345-67 (in a special issue on “Science and the Human Image”).

___. “Creative Work: On the Method of Howard Gruber.” The Journal of Humanistic Psychology 33 (1993): 101-21.

___. “Delicious Progress: Whiteness as an Atavism in Conrad Aiken’s ‘Silent Snow, Secret Snow.’“ Psychoanalytic Review 70 (1983): 235-39.

___. “Departure of the Body Snatchers, or the Confessions of a Carbon Chauvinist.” The Hudson Review 39 (1986): 383-404. (Nominated for a Pushcart Prize in Non-fiction.)

___. “Dissertations as Fictions.” College English 31 (1980): 675-79.

___. “Dreaming Nothing.” Parabola 5.2 (1980): 18-23.

___. “Eye as Inspiration in Modern Poetry.” New Orleans Review 8 (1981): 10-13.

___. “Eye of Longing.” Re-Vision 6.1 (1983): 22-33.

___. “Epigraphs: Notes Toward a Theory.” Kentucky Philological Review. Bulletin of the Thirteenth Annual Meeting of the Kentucky Philological Association, March 7 and 8, 1986, Western Kentucky University: 12-18.

___. “Everything is Trying to Hide Us: Rilke’s Poetics of Mimicry.” The Journal of Evolutionary Psychology 5.1 (1987): 63-78.

___. “Genius of the Sea: Wallace Stevens’ ‘The Idea of Order at Key West,’ Stanislaw Lem’s Solaris, and the Earth as Muse.” Extrapolation 21 (1980): 101-105.

___. “How To Gut a Book.” Georgia Review 43 (1989): 731-44.

___. Late for the Sky: The Mentality of the Space Age. Carbondale: Southern Illinois University Press, 1992.

___. “Major Man: Fellini as an Autobiographer.” Post Script 6.2 (1987): 14-28.

___. “News From Africa: Fellini/Grotesque.” Post Script 9.1 & 2 (1990): 82-98.

___. “No Box of Chocolates: The Adaptation of Forrest Gump.“ Literature/Film Quarterly 25 (1997): 18-22.

___. “O Lucky Man! and the Movie as Koan.” Literature/Film Quarterly 8 (1980): 35-40.

___. “Photo-graphy-synthesis.” Georgia Review 34 (1980): 397-403.

___. “Poetry as Time-Lapse Photography.” Essays in the Arts and Sciences 17 (1988): 1-27.

___. “Same-o, Same-o: Eternal Recurrence in Groundhog Day.” Studies in Popular Culture XXII.1 (1999): 89-97.

___. “Strange Text of My Left Foot.” Literature/Film Quarterly 21.3 (1993): 194-99.

___. “Tenth Symphony.” Georgia Review 35 (1981): 583-93. Finalist for the 1982 Pushcart Prize in Non-fiction. (Translated into Portuguese and republished in Brazil as “Decima Sinfonia” in Cultura, 1 August 1982.)

Lawall, Sarah N. Critics of Consciousness. Cambridge: Harvard U P, 1968.

Lawrence, D.H.

Le Corbusier. "Spirit of Truth." French Film Theory and Criticism: A History/Anthology. Vol. II: 111-14.

Leakey, Richard E. and Roger Lewin. People of the Lake: Mankind and Its Beginnings. Garden City: Doubleday, 1978.

Leary, Timothy, with Robert Anton Wilson and George A. Koopman. Neuropolitics. Los Angeles: Starseed/Peace Press, 1977.

LeGuin, Ursula K. The Word for World is Forest. NY: Berkley Medallion, 1972.

Lehane, Brendan. The Power of Plants. New York: McGraw-Hill, 1967.

Lem, Stanislaw. Imaginary Magnitude. Trans. Marc E. Heine. NY: Harcourt, Brace Jovanovich, 1981.

___. A Perfect Vacuum: Perfect Reviews of Nonexistent Books. Trans. Michael Kandel. NY: Harcourt, Brace Jovanovich. 1971.

Levertov, Denise. "A Tree Telling of Orpheus."

Levine, Irving R. “I was Born for the Cinema: An Interview with Federico Fellini.” Film Comment 4 (1966): 77-84.

Lewis, C. S. The Abolition of Man. NY: Macmillan, 1947.

___. The Essential C. S. Lewis. Ed. Lyle W. Dorsett. New York: Touchstone, 1996.

___. A Mind Awake. Ed. Clyde S. Kilby. NY: HBJ, 1968.

___. Of Other Worlds: Essays and Stories. Ed. Walter Hooper. NY: Harcourt, Brace Jovanovich, 1966.

___. Out of the Silent Planet. 1943; rpt. NY: Collier Books, 1962.

___. Perelandra. 1944; rpt. NY: Macmillan, 1965.

___. That Hideous Strength: A Modern Fairy Tale for Grown-Ups. 1946; rpt. NY: Macmillan, 1965.

Liebman, Stuart. "French Film Theory, 1910-1921." Quarterly Review of Film Studies 8.1 (1983): 1-23.

Lifton, Robert J. Boundaries: Psychological Man in Revolution. New York: Random House, 1970.

___. History and Human Survival: Essays on the Young and Old, Survivors and the Dead, Peace and War, and on Contemporary Psychohistory. New York: Random House, 1970.

Lionni, Leo. Parallel Botany. Trans. Patrick Creagh. New York: Knopf, 1977.

Lodge, David. Small World: An Academic Romance. New York: Macmillan, 1985.

Lovecraft, H. P. “The Music of Erich Zann.” The Best of H. P. Lovecraft: Bloodcurdling Tales of Horror and the Macabre. NY: Ballantine, 1982. 64-71.

Lovejoy, A. O. The Great Chain of Being: A Study of the History of an Idea. Cambridge: Harvard U P, 1964.

Lovelock, James. “The Quest for Gaia.” New Scientist 6 Feruary 1975: 304-309.

Lubin Albert J. Stranger on the Earth: A Psychological Biography of Vincent Van Gogh. New York: Holt, Rinehart, and Winston, 1972.

Lundqvist, Artur.

Macgown, Kenneth. Behind the Screen: The History and Techniques of the Motion Picture. New York: Delacourte, 1965.

Macksey, Richard and Eugenio Donato. The Structuralist Controversy: The Languages of Criticism & the Sciences of Man. Baltimore: Johns Hopkins, 1970.

Madariaga, Salvatore de. Portrait of a Man Standing. Alabama: University of Alabama Press.

Magee, Bryan. Karl Popper. Viking Modern Masters. NY: Viking, 19xx.

Mailer, Norman. Of a Fire on the Moon. NY: New American Library, 1970.

Mandel, Barrett J. "The Autobiographer's Art." Journal of Aesthetics and Art Criticism 27 (1968): 215-226.

___. "Autobiography: Reflection Trained on Mystery." Prairie Schooner 46 (1972-73): 323-38.

___. "'Basting the Image with a Certain Liquor': Death in Autobiography." Soundings 57 (1974): 175-88.

___. "Full of Life Now." In Olney, ed. Autobiography: 48-72.

Mander, Jerry. Four Arguments for the Elimination of Televison. New York: Morrow, 1978.

Mann, Thomas. Doctor Faustus: The Life of the German composer, Adrian Leverkühn, As Told by a Friend. Tran. H. T. Lowe-Porter. New York: Knopf, 1948.

Marinneti, et. al. "The Futurist Cinema." Marinetti: Selected Writings. Ed. R. W. Flint. New York: 1971: xxx.

Marquez, Gabriel Garcia. “A Very Old Man with Enormous Wings.” Leaf Storm and Other Stories. Trans. by Gregory Rabassa. New York: Harper and Row, 1971. xxxx.

Maruyama, M. “The Second Cybernetics: Deviation-Amplifying Mutual Causal Processes.” American Scientist 51 (1963): 164-79, 250-56.

Mason, Eudo. Rilke. London: Oliver and Boyd, 1963.

Mast, Gerald. A Short History of the Movies. Indianapolis: Bobbs-Merrill, 1971.

McConnell, Frank D. The Spoken Seen: Film and the Romantic Imagination. Baltimore: Johns Hopkins U P, 1975.

McCreary, Eugene C. "Louis Delluc, Film Theorist, Critic, and Prophet." Cinema Journal 16.1(1976): 14-35.

McKibben, Bill. The Age of Missing Information. New York: Random House, 1992.

___. The End of Nature. New York: Anchor Books, 1989.

McLuhan, Marshall, with Quentin Fiore. War and Peace in the Global Village. New York: Bantam, 1968.

McLuhan, T.C. Touch the Earth: A Self-Portrait of Indian Existence. NY: Pocket Books, 1972.

Means, Russell. Untitled Commentary. New Age Mazazine, October 1980: 23.

Mehta, J.L. The Philosophy of Martin Heidegger. New York: Harper and Row, 1971.

Melville, Herman. "Hawthorne and His Mosses." The Piazza Tales and Other Prose Pieces Pieces 1839‑1860. The Writings of Herman Melville, Vol. 9. Evanston and Chicago: Northwestern U P and the Newberry Library, 1987. 239-53.

___. Moby-Dick. New York: Signet, 1961.

Merleau-Ponty, Maurice. The Phenomenology of Perception. Trans. Colin Smith. NY: Routledge and Kegan Paul, 1962.

___. The Primacy of Perception: and Other Essays Psychology, the Philosophy of Art, History and Politics. Ed. James M. Edie. Evanston: Northwestern U P, 1964.

___. Sense and Non-Sense. Trans. Hubert and Patricia Dreyfuss. Evanston: Northwestern U P, 1964: 48-59.

___. The Visible and the Invisible. Ed. Claude Lefort. Trans. Alphono Lingis. Evanston: Northwestern U P, 1968.

Merwin, W.S. The First Four Books of Poems. NY: Atheneum, 1980.

___. "Unchopping a Tree." The Prose Poem: An International Anthology. Ed. Michael Benedikt. New York: Dell, 1976.

Meyrowitz, J. No Sense of Place: The Impact of Electronic Media on Social Behavior. New York: Oxford, 1985.

Michel, John. The Earth Spirit: Its Ways, Shrines, and Mysteries. New York: Crossroad, 1975.

Michelson, Annette. "Bodies in Space: Film as Carnal Knowledge." Artforum, February 1969.

___. “Camera Lucida/Camera Obscure." Artforum, January 1973.

___."Introduction." Kino-Eye: The Writings of Dziga Vertov. Ed. Annette Michelson. Trans. Kevin O'Brien. Berkeley: University of California Press, 1984: xv-lxi.

___. "Toward Snow." In Sitney, ed. The Avant-Garde Film: 172-83.

Miller, David. “Images, Angels, Bacon.” Corona II (1981):7-9.

___, ed. The New Polytheism: Rebirth of the Gods and Goddesses. Dallas: Spring, 1981.

Miller, Henry. "Blaise Cendrars." Books in My Life. New York: New Directions, 1952: 58-80.

Miller, J. Hillis. The Geneva School. Virginia Quarterly 43 (1967): 465-88.

___. “The Literary Criticism of Georges Poulet.” Modern Language Notes 77 (1963): xxx.

Miller, Margaret, ed. Paul Klee. New York: The Museum of Modern Art, 1941.

Miller, M. C. Boxed In: The Culture of Television. Evanston: Northwestern U P, 1988.

___. “Hollywood the Ad.” Harper’s April 1990: 41-45, 48-50, 52-54, 57-62, 64-68.

Miller, Walter M. A Canticle for Leibowitz. NY: Bantam Books, 1959.

Minsky, Marvin. "Is the Body Obsolete?" Whole Earth Review, Summer 1989: 37.

___. The Society of Mind. New York: Simon and Schuster, 1986.

Mitchell, Stephen. ''Introduction." The Sonnets to Orpheus, trans. Stephen Mitchell. New York: Simon and Schuster, 1985. 7‑11.

Modleski, Tania, ed. Studies in Entertainment: Critical Approaches to Mass Culture: Bloomington: Indiana U P, 1986.

Moholy-Nagy, Laszlo. Painting, Photography, Film. Trans Janet Seligman. Cambridge: 1969.

Momaday. N. Scott. House Made of Dawn. NY: New American Library, 1968.

Monaco, James. How to Read a Film. New York: Oxford U P, 1977.

Monod, Jacques. Chance and Necessity. Trans. Austryn Wainhouse. NY: Vintage, 1971.

Montaigne, Michel de. Essays and Selected Writings. Trans. Donald Frame. NY: St. Martin's Press, 1963.

Moravec, Hans. "Interview" (with Ed Regis). Omni, August 1989: 74-79, 86, 88-90.

___. Mind Children: The Future of Robot and Human Intelligence. Cambridge: Harvard, 1988.

Morford, Mark P.O. and Robert J. Lenardon. Classical Mythology. New York: David McKay, 1977.

Morris, Sean and Miranda MacQuitty. "Wizards of Odd." International Wildlife, Nov. 1986: 42-50.

Moszykowski, Alexander. Conversations with Einstein. New York: Horizon Press, 1970.

“Moving Still." WGBH, Boston.

Muir, Edwin.

Mumford, Lewis. The Myth of the Machine: The Pentagon of Power. NY: Harcourt, Brace Jovanovich, 1970.

___. The Myth of the Machine: Technics and Civilization. NY: Harcourt, Brace Jovanovich, 1967.

Munier, Roger. "The Fascinating Image." Diogenes 28(1962): 85-94.

Munsterberg, Hugo. The Film: A Psychological Study. 1916; rpt. New York: Dover, 1970.

Murray, Edward. Fellini the Artist. New York: Ungar, 1976.

Naranjo, Claudio and Robert Ornstein. On the Psychology of Meditation. NY: Viking Press, 1971.

Nemerov, Howard.

Nicolson, Marjorie. Mountain Gloom and Mountain Glory.

___. Science and Imagination. Ithaca, NY: Cornell U P, 1956.

Nietzsche, Friedrich. Ecce Homo. Trans. Walter Kaufmann. New York: Vintage, 1967.

___. The Gay Science, With a Prelude in Rhyme and an Appendix in Song. Trans. Walter Kaufmann. New York: Vintage, 1975.

___. Thus Spoke Zarathustra. Trans R.J. Hollingdale. NY: Penguin, 1969.

Novalis

Oliver, Mary. Twelve Moons. Boston: Little, Brown, 1979.

Olney, James. "Autobiography and the Cultural Moment: A Thematic, Historical, and Bibliographical Introduction." In Olney, ed. Autobiography: 3-27.

___. Metaphors of Self: The Meaning of Autobiography. Princeton: Princeton U P, 1972.

___. "Some Versions of Memory/Some Versions of Bios: The Ontology of Autobiography." In Olney, ed. Autobiography: 236-67.

___, ed. Autobiography: Essays Theoretical and Critical. Princeton: Princeton U P, 1980.

O'Neill, Gerald K. The High Frontier: Human Colonies in Space. NY: Bantam Books, 1977.

Ong, Walter J., S. J. The Presence of the Word: Some Prolegomena for Cultural and Religious History. Minneapolis: University of Minnesota Press, 1967.

___. The Revolt of the Masses. London: Unwin, 1930.

Ott, John N. Health and Light: The Effects of Natural and Artificial Light on Man and Other Living Things. New York: Pocket Books, 1973.

___. My Ivory Cellar. Chicago: Twentieth Century Press, 1958.

Ouspensky, P.D. The Psychology of Man's Possible Evolution. NY: Vintage, 1950.

Ovid. Metamorphoses.

Palmer, Richard. Hermeneutics: Interpretation Theory in Schleirmacher, Dilthey, Heidegger and Gadamer. Evanston: Northwestern U P, 1969.

Parke, Herbert W. The Oracles of Zeus: Dodona, Olympia, Ammon. Cambridge: Harvard U P, 1967.

Pascal, Blaise. Pensees. Trans. A.J. Krailsheimer. NY: Penguin Books, 1966.

Pasolini, Pier Paolo. Pasolini on Pasolini. Ed. Oswald Stack. Bloomington: University of Indiana Press. 1969.

Paz, Octavio. Claude Levi-Strauss: An Introduction. Trans. J.S. Bernstein and Maxine Bernstein. New York: Delta Books, 1970.

Percy, Walker. The Message in the Bottle. New York: Farrar, Straus Giroux, 1975.

Peters, H. F. Greek Philosophical Terms: A Historical Lexicon. New York: New York U P, 1967.

Phillips, Robert, ed. Moonstruck: An Anthology of Lunar Poetry. New York: Vanguard, 1974.

Picard, Max. The World of Silence. Trans. Stanley Godman. South Bend: Regnery/Gateway. 1952.

Piggot, Stewart. The Druids. New York: Frederick A. Praeger, 1968.

Pinto, Sandra. Courbet. New York: Grosset and Dunlap, 1971.

Pirsig, Robert M. Zen and the Art of Motorcycle Maintenance. New York: Morrow, 1974.

Plato. Dialogues of Plato. Ed. Eric H. Warmington and Philip G. Rouse. Trans. W. H. D. Rouse. New York: New American Library, 1956.

Plugge, Herbert. "Man and His Body." The Philosophy of the Body. Ed. by Stuart Spicker. Chicago: Quadrangle, 1970: 293-311.

Polanyi, Michael. “A Conversation with Michael Polanyi.” Psychology Today May 1968: 20, 22-25, 66-67.

___. The Tacit Dimension. Garden City: Doubleday, 1966.

Ponge, Francis. The Voice of Things. Trans. Beth Archer. New York: McGraw-Hill, 1972.

Portuges, Catherine. "Seeing Subjects: Women Directors and Cinematic Autobiography." In Life/Lines: Theorizing Women's Autobiography. Ed. Bella Brodzki and Celeste Schenck. Ithaca: Cornell U P, 1988: 338-50.

Post, Laurens van der. Jung and the Story of Our Time. New York: Vintage, 1975.

Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age of Show Business. New York: Penguin, 1985.

Poulet, Georges. "The Phenomenology of Reading." Critical Theory Since Plato. Ed. Hazard Adams. New York: Harcourt, Brace, 1971: 1212-1222.

___. Studies in Human Time. Trans. Elliott Coleman. Baltimore: Johns Hopkins U P, 1956.

Pound, Ezra. ABC of Reading. New York: J. Laughlin, 1960.

Rahola, Walpola. What the Buddha Taught. New York: Grove, 1962.

Raine, Kathleen. The Inner Journey of the Poet. Ipswich, England: Golgonooza Press, 1976.

Reik, Theodore. On Bruckner

The Haunting Melody: Psychoanalytic Experiences in Life and Music. New York: Farrar, Strauss & Young, 1953.

Renov, Michael. "The Subject in History: The New Autobiography in Film and Video." Afterimage 17.1 (1989): 4-7.

Reps, Paul, ed. Zen Flesh, Zen Bones. Garden City: Doubleday, n.d.

Rich, Adrienne. Adrienne Rich's Poetry. Ed. Barbara G. Gelpi and Albert G. Gelpi. New York: W.W. Norton, 1975.

Rifkin, Jeremy. Algeny. Baltimore: Penguin, 1983.

___. Declaration of a Heretic. Boston: Routledge & Kegan Paul, 1985.

___. Entropy. NY: Bantam, 1980.

___. Time Wars: The Primary Conflict in Human History. New York: Henry Holt, 1987.

Rilke, Rainer Maria. Duino Elegies. Trans. Stephen Garmey and Jay Wilson. NY: Harper and Row, 1972.

___. Duino Elegies. Trans. David Young. NY: W.W. Norton, 1978.

___. Duino Elegies. Trans. Stephen Spender and J.B. Leishman. NY: W.W. Norton, 19

___. Duino Elegies and The Sonnets to Orpheus. Trans. A. Poulin. Boston: Houghton Mifflin, 1977.

___. Letters to a Young Poet. Trans. Stephen Mitchell. NY: Random House, 1984.

___. Letters to a Young Poet. Trans. M.D. Herter Norton. NY: W.W. Norton, 1934.

___. Letters of Rainer Maria Rilke: 1892-1910. Trans. Jane Bannard Greene and M.D. Herter Norton. NY: W.W. Norton, 1945.

___. Letters of Rainer Maria Rilke: 1910-1926. Trans. Jane Bannard Greene and M.D. Herter Norton. NY: W.W. Norton, 1948.

___. The Notebooks of Malte Laurids Brigge. Trans. M.D. Herter Norton. NY: W.W. Norton, 1949.

___. The Notebooks of Malte Laurids Brigge. Trans. Stephen Mitchell. NY: Vintage, 1985.

___. Poems from the Book of Hours. NY: New Directions, 1941.

___. Possibility of Being: A Selection of Poems. Trans. J.B. Leishman. NY: New Directions, 1957.

___. Rilke on Love and Other Difficulties. Trans. and ed. John J.L. Mood.NY: W.W. Norton, 1975.

___. Selected Letters of Rainer Maria Rilke. Ed. Harry T. Moore. Garden City: Doubleday, 1960.

___. Selected Poems. Trans. C.F. MacIntyre. Berkeley: University of California Press, 1940.

___. Selected Poems of Rainer Maria Rilke. Trans. and ed. Robert Bly. NY: Harper and Row, 1981.

___. The Selected Poetry of Rainer Maria Rilke. Edited and Translated by Stephen Mitchell. NY: Vintage Books, 1982.

___. Sonnets to Orpheus. Trans. Stephen Mitchell. NY: Simon and Schuster, 1985.

___. Sonnets to Orpheus. Trans. M.D. Herter Norton. NY: W.W. Norton, 1942.

___. Sonnets to Orpheus. Trans. C.F. MacIntyre. Berkeley: University of California Press, 1960.

___. Stories of God. Trans. M.D. Herter Norton. NY: W.W. Norton, 1932.

___. Translations from the Poetry of Rainer Maria Rilke. Trans. M.D. Herter Norton. NY: W.W. Norton, 1938.

___. The Unknown Rilke. Trans. Franz Wright. Field Translation Series 17. Oberlin College Press, 1990.

___. Where Silence Reigns: Selected Prose. Trans. G. Craig Houston. NY: New Directions, 1978.

Rimbaud, Arthur. Illuminations and Other Prose Poems. Trans. Louise Varese. NY: New Directions, 1946.

___. A Season in Hell and The Drunken Boat. Trans. Louise Varese. NY: New Directions, 1961.

Roberts, Keith. Cezanne. New York: Tudor, 1967.

Robinson, W. R. “2001 and the Literary Sensibility.” Georgia Review 26.1 (1982):

Roethke, Theodore. The Collected Poems of Theodore Roethke. Garden City: Doubleday, 1965.

Romanyshyn, Robert. Psychological Life: From Science to Metaphor. Austin: University of Texas Press, 1982.

Rorty, Richard. Philosophy and the Mirror of Nature. Princeton: Princeton UP, 1981.

Rosen, Richard. “Bullcrit: The Reading Disorder of the Literary Fastlane.” New York Magazine 6 Feb 1989: 44-47.

Rosenthal, Stuart. The Cinema of Federico Fellini. New York: Barnes and Noble, 1976.

Ross, Lilian. “Profile: Federico Fellini.” New Yorker, 30 October 1965: xxx.

Rostand, Jean. Can Man be Modified? Trans. Jonathan Griffin. NY: Basic Books, 1959.

Roszak, Theodore. Where the Wasteland Ends: Politics and Transcendence in Post-Industrial Society. Garden City: Doubleday, 1972.

Rothenberg, Jerome, ed. Technicians of the Sacred: A Range of Poetries from Africa, America, Asia, & Oceania. Garden City: Doubleday, 1968.

___ and George Quasha. America a Prophecy: A New Reading of American Poetry from Pre-Columbian Times to the Present. NY: Vintage, 1973.

Sagan, Carl. Dragons of Eden: Speculations on the Evolution of Human Intelligence. New York: Random House, 1977.

___. Murmurs of Earth: The Voyager Interstellar Record. New York: Random House, 1978.

Said, Edward. "Abecadarium Culturae: Structuralism, Absence, Writing." Beginnings: Intention and Method. New York: Basic Books, 1975. 341‑92.

Saint Martin, Hardie, ed. Roots and Wings: Poetry from Spain, 1900-1975. New York: Harper and Row, 1976.

Samuels, Charles. “Federico Fellini.” Ecountering Directors. New York: G.P. Putnam’s, 1972.

San Lazzaro, Gualtieri di. Homage to Marc Chagall. New York: Tudor, n.d.

___. Klee: A Study of His Life and Work. New York: Praeger, 1957.

Sartre, Jean-Paul. Being and Nothingness. Trans. Hazel E. Barnes. NY: Washington Square Press, 1966.

___. Nausea. Trans. Lloyd Alexander. NY: New Directions, 1964.

Schafer, R. Murray. The Tuning of the World. New York: Knopf, 1977.

Schönberg, Arnold. Style And Idea. New York: Philosophical Library, 1950.

Schwaller de Lubicz, R.A. Nature Word. Trans. Deborah Lawlor. 1952; rpt. West Stockbridge, MA: Lindisfarne Press, 1982.

Schwartz, Delmore. Summer Knowledge: New and Selected Poems, 1938-1958. New York: Doubleday, 1959.

Schwenk, Theodore. Sensitive Chaos: The Creation of Flowing Forms in Water and Air. Trans, Olive Whicher and Johanna Wrigley. NY: Shocken Books, 1965.

Searles, Harold. "Unconscious Processes in Relation to the Environmental Crisis." Countertransference. New York: International Universities Press, 1979. 228-42.

Sebeok, Thomas. "Neglected Figures in the History of Semiotic Inquiry: Jakob von Uexkull." 186-207.

Seferis, George. Collected Poems: 1924-1955. Trans. and Ed. Edmund Keeley and Philip Sherrad. Princeton: Princeton U P, 1967.

___. The Selected Poems. Trans. Walter Kaiser. Cambridge: Harvard U P, 1969

___. Three Secret Poems. Cambridge: Harvard U P, 1969.

Sewell, Elizabeth. The Orphic Voice: Poetry and Natural History. NY: Harper and Row, 1960.

Shaw, George Bernard. Back to Methusaleh: A Metabiological Pentateuch. New York: Brentano's, 1923.

Shelley, Percy Bysshe. Shelley's Poetry and Prose. Norton Critical Editions. Ed. Donald H. Reiman and Sharon B. Powers. New York: W.W. Norton, 1977.

Shepard, Paul. "Five Green Thoughts." Massachusetts Review (1980): 277-88.

Silverberg, Robert. “The Wind, the Rain.” Dream's Edge: Science Fiction Stories about the Future of Planet Earth. Ed. Terry Carr. San Francisco: Sierra Club Books, 1980. 286-94.

Silverstein, Shel. The Giving Tree. New York: Harper and Row, 1964.

Simic, Charles. Dismantling the Silence. New York: Braziller, 1971.

Simon, John. Ingmar Bergman Directs. New York: Harcourt, Brace, 1972.

Sitney, P. Adams, ed. The Avant-Garde Film: A Reader of Theory and Criticism. Anthology Film Archives Series 3. New York: New York U P, 1978.

___. Visionary Film: The American Avant-Garde. New York: Oxford U P, 1974.

Slater, Philip. Earthwalk. New York: Bantam, 1974.

Smith, Percy. Cinebiology. Baltimore: Pelican, 1941.

Snyder, Gary. The Real Work: Interviews and Talks 1964-1979. Ed. William Scott McLean. NY: New Directions, 1980.

___. “Long Hair.” Regarding Wave. NY: New Directions, 1970.65-66.

Sontag, Susan. I Etcetera. New York: Farrar, Straus and Giroux, 1978.

___. On Photography. NY: Farrar, Straus and Giroux, 1973.

Soufoulis, Zoe. "Exterminating Fetuses: Abortion, Disarmament, and the Sexo-Semiotics of Extraterrestrialism." Diacritics 14.2(1984): 213-30.

Sorkin, Michael. "Faking It." Watching Television. Ed. Todd Gitlin. New York: Pantheon, 1986. 162-82.

Sorlier, Charles, ed. Chagall by Chagall. New York: Harrison House, 1982.

Spicker, Stuart, ed. The Philosophy of the Body. Chicago: Quadrangle, 1970.

Stableford, Brian. Future Man. New York: Crown, 1984.

Stafford, William. Stories That Could Be True: New and Collected Poems. New York: Harper and Row, 1977.

Stahmer, Harold. "Speak That I May See Thee!" The Religious Significance of Language. New York: Macmillan, 1965.

Steiner, George. Martin Heidegger. Penguin Modern Masters. New York: Penguin, 1978.

Stephenson and Debrix. The Art of the Cinema. Baltimore: Pelican, 1965.

Stern, Karl. The Flight from Woman. NY: Farrar, Strauss & Giroux, 1965.

Stevens, Wallace. Collected Poems. New York: Knopf, 1955.

___. Collected Poetry and Prose. Ed. Frank Kermode and Joan Richardson. New York: Library of America, 1997.

___. The Letters of Wallace Stevens. Ed. Holly Stevens. New York: Knopf, 1977.

___. The Necessary Angel: Essays on Reality and the Imagination. New York: Vintage, 1951.

___. Opus Posthumous: Poems, Plays, Prose. Ed. Samuel French Morse. NY: Vintage, 1957.

___. The Palm at the End of the Mind. Ed. Holly Stevens. New York: Vintage, 1972.

Stewart, Doug. "Jaron Lanier." Omni, January 1991: 44-46, 113-117

Stokes, G. “Eco Eco Eco Eco.” The Village Voice 9 January 1990: 39-40.

Strauss, Erwin. “Bound to Behold: Reflections on the Function of Upright Posture in the Aesthetic Attitude.” Spicker xxxx.

Strich, Christian. Fellini’s Films: The Four Hundred Most Memorable Stills from Fellini’s 15½ Films. New York: Putnam’s, 1977.

Sugg, Richard. Hart Crane’s The Bridge: A Description of Its Life. Tuscaloosa: University of Alabama Press, 1976.

Suzuki, D.T. Mysticism Christian and Buddhist: The Eastern and Western Way. NY: Vintage, 1957.

___. Outlines of Mahayanna Buddhism. NY: Grove Press, 1963.

Sweeney, James Johnson. "The Place of Paul Klee." Paul Klee. Ed. Margaret Miller. New York: The Museum of Modern Art, 1941: 18-19.

Swenson, May. New & Selected Things Taking Place. Boston: Little, Brown, 1978.

Talbot, William Henry Fox. The Pencil of Nature. 1844-1846; rpt. New York: DeCapo Press, 1969.

Teilhard de Chardin, Pierre. The Phenomenon of Man. New York: Harper and Row, 1959.

Thass-Thienemann, Theodore. The Subconscious Language. New York: Washington Square Press, 1967.

Thomas, Dylan. The Collected Poems of Dylan Thomas: 1934-52. NY: New Directions, 1953.

___. Selected Letters. Ed. Constantine Fitzgibbon. New York: New Directions, 1967.

Thomas, Lewis. The Lives of a Cell: Notes of a Biology Watcher. NY: Bantam, 1974.

___. Late Night Thoughts While Listening to Mahler's Ninth Symphony. NY: Bantam, 1984.

___. The Medusa and the Snail: More Notes of a Biology Watcher. NY: Bantam, 1979.

Thompkins, Peter and Christopher Bird. The Secret Life of Plants. New York: Avon, 1974.

Thompson, William Irwin. "Notes on an Emerging Planet." In Earth's Answer. Ed. Michael Katz, William P. Marsh, and Gail Gordon Thompson (New York: Harper and Row, 1977): 207-29.

___. Passages about Earth: An Exploration of the New Planetary Culture. NY: Harper and Row, 1974.

Thomson, David. A Biographical Dictionary of Film. Third Edition. NY: Knopf, 1994.

Thomson, Philip. The Grotesque. Critical Idiom Series. London: Methuen, 1972.

Tolkien, J. R. R. The Lord of the Rings (one volume edition). Boston: Houghton-Mifflin, 1994.

Tinbergen, Nikolaas. Interview. Psychology Today March 1974: 74-75 xxx

Tiptree, James, Jr. Meet Me At Infinity: The Uncollected Tiptree—Fiction and Non Fiction. NY: TOR, 2000.

___. "A Momentary Taste of Being." Star Songs of an Old Primate. NY: Ballantine, 1978. 64-163.

___. The Last Flight of Doctor Ain." Warm Worlds and Otherwise. NY: Ballantine, 1975. 61-68.

___. "The Screwfly Solution." Out of the Everywhere, and Other Extraordinary Voyages. NY: Ballantine, 1981. 53-75.

Toffler, Alvin. Future Shock. NY: Bantam Books, 1970.

Torczyner, Harry. Magritte: Ideas and Images. Trans. Richard Miller. NY: New American Library, 1979.

Trevor-Roper, Patrick. The World Through Blunted Sight. Indianapolis: Bobbs-Merrill, 1970.

Trudeau, Gerry. The Doonesbury Chonicles. New York: Holt, Rinehart, and Winston, 1975.

Tuchman, Maurice, ed. Chaim Soutine: 1893-1943. Los Angeles: County Museum of rt, 1968.

Turner, Frederick. "Escape from Modernism." Harper's March 1985: 4-6.

___. "A Field Guide to the Synthetic Landscape: Toward a New Environmental Ethic." Harper's April 1988: 49-55.

___. Genesis. Dallas: Saybrook, 1988.

___. "Life on Mars: Cultivating a Planet—and Ourselves." Harper's August 1989: 33-40.

Turner, Frederick W. Beyond Geography: New York: Viking, 1980.

Tutuola, Amos. The Palm-Wine Drinkard. NY: Grove Press, 1953.

Uexkull, Jacob von. "A Stroll Through the Garden of Animals and Men." In Instinctive Behavior. Ed. Claire Schiller. New York: International Universities Press, 1957.

___. Theoretical Biology. London: Kegan, Paul and Trench, 1926.

Valéry, Paul. "The Conquest of Ubuity." Aesthetics. The Collected Works of Paul Valéry, Vol. 13. Ed. Jackson Mathews, Bolingen Series XLV. New York: Pantheon Books, 1964: 225-28.

___. "Dialogue of the Tree." An Anthology. Ed. James R. Lawlor. Trans. William McCausland Stewart. Bolingen Series XLV-A. Princeton: Princeton U P, 1977: 327-50.

___. "Man and the Sea Shell." Aesthetics. The Collected Works of Paul Valéry, Vol. 13. Ed. Jackson Mathews, Bolingen Series XLV. New York: Pantheon Books, 1964: xxx-xx.

Van Den Berg, J. H. Things: Four Metabletic Reflections. Pittsburgh: Duquesne U P, 1970.

Vendler, Helen. The Odes of John Keats. Cambridge: Harvard U P, 1983.

Verdi, Richard. Klee and Nature. New York: Rizzoli, 1984.

Vertov, Dziga. Kino-Eye: The Writings of Dziga Vertov. Ed. Annette Michelson. Trans. Kevin O'Brien. Berkeley: University of California Press, 1984.

Vico, Giambattista. The New Science. Abridged Edition of the Third Edition (1744). Trans. Thomas Goddard Bergin and Max Harold Fisch. Ithaca: Cornell U P, 1970.

Vilallonga, Jose de. “Fellini on Fellini.” Vogue 25 August 1972: 94-99.

von Salis, J.R. Rainer Maria Rilke, The Years in Switzerland: A Contribution to the Biography of Rilke’s Later Life. Berkeley: University of California Press, 1966.

Von Senden, M. Space and Sight. 1932l rpt. New York: The Free Press, 1960.

Vonnegut, Kurt Jr. Breakfast of Champions. NY: Dell, 1973.

Vonnegut, Kurt Jr. Breakfast of Champions. NY: Dell, 1973.

___. Player Piano. NY: Avon, 1952.

___. Slapstick, or Lonesome No More. New York: Delta, 1999.

___. Wampeters, Foma, and Granfalloons (Opinions). New York: Delacourte, 1974.

Vox, Valentine. I Can See Your Lips Moving. London: Kaye and Ward, 1981.

Vycinas, Vincent. Earth and Gods: The Philosophy of Martin Heidegger. The Hague: Martinus Niihoff, 1969.

Wadley, Nicholas. Cezanne and His Art. Northbrook, IL: Book Value International, 1975.

Wagoner, David. New and Selected Poems. Bloomington: Indiana U P, 969.

Wallace, Doris and Howard E. Gruber, eds. Creative People at Work: Twelve Cognitive Case Studies. New York: Oxford U P, 1989.

___. “Studying the Individual: The Case Study Method and Other Genres.” In Doris B. Wallace and Howard E. Gruber (Eds.), Creative People at Work. New York: Oxford U P, 1989: 25-43.

Watkins, Mary M. Waking Dreams. NY: Harper and Row, 1976.

Walker, Alice. 1983. "Only Justice Can Stop a Curse." In Search of Our Mothers' Gardens: Womanist Prose. San Diego: Harcourt, Brace: 338-342.

Walter, Eugene. “Federico Fellini: Wizard of Film.” Atlantic 215 (December 1965): 62-67.

Watts, Alan. Does It Matter?: Essays on Man's Relation to Materiality. NY: Vintage, 1971.

___. Nature, Man, and Woman. NY: Vintage, 1958.

___. The Way of Zen. NY: Vintage, 1957.

___, with Al Chung-liang Huang. Tao: The Watercourse Way. New York: Penguin, 1975.

Weinberg, Steven. The First Three Minutes. NY: Bantam Books, 1977.

Werner, Alfred. Chagall: Watercolors and Gouaches. New York: Watson Guptill, 1970.

Wheeler, Monroe. Soutine. New York: Museum of Modern Art, 1950.

White, Hayden V. “Foucault Decoded: Notes from Underground." History and Theory 12 (1973): 23‑54.

Whitehead, Alfred North. Process and Reality: An Essay in Cosmology. NY: Free Press, 1929.

___. Science and the Modern World. NY: Free Press, 1925.

Whorf, Benjamin. Language, Thought, and Reality. Ed. John B. Carroll. Cambridge: MIT Press, 1956.

Wiener, Norbert. 1950. The Human Use of Human Beings. New York: Avon.

Wilbur, Richard. The Poems of Richard Wilbur. New York: Harcourt, Brace, 1963.

Williams, Heathcote. "Plant Liberation." Co-Evolution Quarterly. Winter 1980: 1.

Williams, Raymond. Keywords: A Vocabulary of Culture and Society. New York: Oxford U P, 1979.

Williams, William Carlos. Imaginations. NY: New Directions, 1970.

___. Pictures from Brueghel. New York: New Directions, 1962.

___. Selected Essays. New York: New Directions, 1954.

Withrow, G. J. The Nature of Time. London: Thames and Hudson, 1972.

Wittgenstein, Ludwig. Tractatus Logicus Philosophicus. Trans. D.F. Pears and B.F. McGuiness. 1922; rpt. London: Routledge and Kegan Paul, 1961.

___. Philosophical Investigations. Trans. G.E.M. Anscombe. NY: Macmillan, 1953.

Wolfe, Thomas. Of Time and the River: A Legend of Man’s Hunger in His Youth. New York: Scribner’s 1935.

Wolfe, Tom. “The Me Decade and the Third Great Awakening.” Mauve Gloves & Madmen, Clutter and Vine, and Other Stories, Sketches, and Essays. NY: Bantam, 1976.111-47.

Wollen, Peter. "Cinema and Technology: A Historical Overview." In The Cinematic Apparatus. Ed. Teresa de Lauretis and Stephen Heath. London: Macmillan 1980: 14-22

Woolf, Viriginia. Mrs. Dalloway. NY: HBJ, 1925.

Wordsworth, William. “Preface to Lyrical Ballads.Selected Poems and Prefaces. Ed. Jack Stillinger. Boston: Houghton-Mifflin, 1965.

Wright, Robert. Three Scientists and Their Gods: Looking for Meaning in an Age of Information. New York: Harper and Row, 1989.

Wu-chi Liu and Irving Yucheng Lo, eds. Sunflower Splendor: Three Thousand Years of Chinese Poetry. Garden City: Anchor, 1975.

Yeats, William Butler. "The Celtic Element in Literature."

___. The Collected Poems of W. B. Yeats. New York: Macmillan, 1933.

___. A Vision. New York: Collier, 1938.

Youngblood, Gene. Expanded Cinema. New York: Dutton, 1978.

Zettl, Herbert. Sight, Sound, Motion: Applied Media Aesthetics, 2nd Edition. Belmont, CA: Wadsworth, 1990.

Zolotow, Charlotte. The Sky Was Blue. New York: Harper and Row, 1963.

Zuckerkandl, Victor. Man the Musician. Sound and Symbol, Vol. II. Bollingen Series XLIV.2. Trans. Willard R. Trask. Princeton: Princeton U P, 1973.

___. Sound and Symbol: Music and the External World. Bollingen Series XLIV. Trans. Willard R. Trask. Princeton: Princeton U P, 1956.

Zukav, Gary. The Dancing Wu-Li Masters. New York: Bantam, 1979.

Zweig, Paul. The Heresy of Self-Love: A Study of Subversive Individualism. New York: Basic Books, 1968.