Finale: Considering the Ends of Television Shows

The Editors

Dr. David Lavery is Professor of English at Middle Tennessee State University (1993- ). The author of over one hundred published essays (several on poetry and poetics), chapters, and reviews, he is author / co-author / editor / co-editor of eighteen books, including Joss: A Creative Portrait of the Maker of the Whedonverses and The Essential Cult Television Reader. The organizer of international conferences on Buffy the Vampire Slayer, The Sopranos, and Lost, a founding co-editor of the journals Slayage: The Online International Journal of Buffy Studies and Critical Studies in Television, he has lectured around the world on the subject of television (Australia, Turkey, the UK, Portugal, New Zealand, Ireland, Germany) and has been a guest/source for the BBC, NPR, the Australian Broadcasting Corporation, The New York Times, A Folha de Sao Paulo, The Toronto Star. From 2006-2008, he taught at Brunel University in London. David Bianculli has been a TV critic since 1976, when he first got paid to write columns about television for Florida's The Gainesville Sun, while still a student at the University of Florida. The starting pay was $5 per column, and the ending pay wasn't much more - but those clips, and a Masters degree in Journalism and Communications, were enough to land a full-time job the following year, writing about television for The Ft. Lauderdale News, which eventually became The Sun-Sentinel.

From there, other TV critic jobs followed: Ohio's The Akron Beacon Journal (1980-83), Pennsylvania's The Philadelphia Inquirer (1983-87), The New York Post (1987-93), and, most recently, The New York Daily News (1993-2007). On radio, he provided a TV review for the inaugural nightly broadcast of National Public Radio's Fresh Air in 1987, and has been that show's TV critic ever since. He also serves as guest host, substituting for Terry Gross.

Bianculli has written two books on television and its impact: Teleliteracy: Taking Television Seriously (1992) and its even more clunkily titled sequel, Dictionary of Teleliteracy: Television's 500 Biggest Hits, Misses, and Events (1996). At this moment, he's hard at work on a third: Dangerously Funny: The UnCensored Story of "The Smothers Brothers Comedy Hour". He's also contributed chapters to other books, including The Critical Response to Kurt Vonnegut (1994), Mister Rogers' Neighborhood: Children, Television, and Fred Rogers (1996), and Reading Quality TV: American Television and Beyond (2007).

His articles, columns and reviews have appeared in TV Guide, The New York Times Book Review, Rolling Stone, The Week, Variety, Film Comment, The London Independent, Washington Journalism Review, Electronic Media, Television Quarterly, Television Business International, Taxi, Fame, Parents' Choice, Family Life, Channels of Communication, and syndicated in hundreds of daily newspapers.

He also teaches college courses on television history and appreciation, introducing almost all of his students to the likes of Rod Serling's Patterns and the zany work of Ernie Kovacs.