Collected
Works
of David Lavery
Evolution of Consciousness &
Philosophical Anthropology
Books
Essays/Articles/Book
Chapters/Reviews
Aesop After
Darwin: The Radical Anthropomorphism of The
Far Side. Studies in Popular Culture 28.1 (October 2005): 71-83.
The Angel of
Twentieth Century Art (unpublished paper).
The Audition of
History and the Vocation of Man: Reflections on Extinction and Destiny. Michigan Quarterly Review 24 (1985):
345-67 (in a special issue on Science and the Human Image).
Departure of
the Body Snatchers, or the Confessions of a Carbon Chauvinist. The Hudson Review 39 (1986): 383-404.
(Nominated for a Pushcart Prize in Non-fiction.)
Dreaming Nothing. Parabola 5.2 (1980): 18-23.
Dropping the Body: The X-Files, Popular Culture, and Exosomatic Evolution. Mythen der Kreativitaet.
Das Schoepferische zwischen
Innovation und Hybris. Frankfurt: Verlag Otto Lembeck, 2003.
282-97.
Everything is Trying to
Hide Us: Rilkes Poetics of Mimicry. The
Journal of Evolutionary Psychology 5.1 (1987): 63-78.
The Eye of Longing. Re-Vision 6.1 (1983): 22-33.
The French Disease and
German Measles: European Memes and the Infection of Western Thought. Talk
given to the European Studies Discussion Group, Middle Tennessee State
University (September 1994).
The Genius of the
Sea: Wallace Stevens The Idea of Order at Key West, Stanislaw Lems Solaris,
and the Earth as Muse. Extrapolation
21 (1980): 101-105.
Gnosticism in
the Cult Film. The Cult Film
Experience: Beyond All Reason.
Ed. J. P. Telotte. Austin: U Texas P, 1991: 187-99.
How Barfield Thought:
The Creative Life of Owen Barfield. Owen Barfield: A Centennial
Conference, Columbia University and Drew University (December 1998)
The Legacy of
Dodona: Trees and the Evolution of Consciousness (unpublished essay).
The Light Is in Us:
Susan Griffins Method in Woman and
Nature: The Roaring Inside Her.
Middle Tennessee University Womens Studies Conference, Murfreesboro, TN (March
1995).
The Meme and the Seme. Thirteenth Annual Meeting of the Semiotic
Society of America, University of Cincinnati (October 1988).
No more
undiscovered countries: The Early Promise and Disappointing Career of
Time-Lapse Photography. Film Studies (special
issue on Film and Time ed. Sarah Cardwell). Issue 9, Winter 2006: 1-8.
On Time-Lapse
Photography (unpublished manuscript).
The Other Side is Myth: William Irwin Thompson, the Fin-de-Sicle, and the Evolution of
Consciousness. South Atlantic Modern Language Association, Savannah, GA
(November 1996).
Out of and
Into the Cave (unpublished essay)
Owen
Barfield: A Readers Guide. Seven
15 (1998): 97-112.
Photo-graphy-synthesis. Georgia
Review 34 (1980): 397-403.
Poetry as Time-Lapse Photography. Essays in the Arts and Sciences 17 (1988): 1-27.
Review of Astrid Diener, The Role of
Imagination in Culture and Society:
Owen Barfields Early Work. Leipzig Explorations in Literature and
Culture 6. Mythlore 91 (24.1) 2003: 79-81.
Review of Owen Barfield: Romanticism Comes of Age, A Biography by Simon Blaxland-de Lange. Seven
25 (October 2008): 92-93.
Rooted in the
Absence of Place: The Odyssey of Loren Eiseley. Art, Science, and Morality: Creative Journeys. Ed. Doris B.
Wallace. New York: Plenum, 2005. 1-18.
The Secret. Vision: A Literary Journal Fall 1979:
38-43. Original title Damascus.
The Shadow of
His Equipage: Loren Eiseley and Animals
(unpublished essay).
Space Boosters:
Reflections on the Marketing of Unearthliness. ETC.: A Journal of General Semantics
41 (1984): 388-97.
The Tenth Symphony.
Georgia Review 35 (1981): 583-93.
Finalist for the 1982 Pushcart Prize in Non-fiction. (Translated into
Portuguese and republished in Brazil as Decima Sinfonia in Cultura, 1 August 1982.)
The Ventriloquist
(unpublished essay).